Archive 24

ISSUE #24 \__\__\_______/__/__/  Dec. 5, 1998

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TABLE OF CONTENTS:  What is in this issue?
Contents:
      1. Feature Article:  Playing Perfect Fills: 
                ALL MYSTERIES SOLVED!
      2. Humor: (Another sick Bass Player joke.) 

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|__________FEATURE ARTICLE___________|

Playing Perfect Ad-lib Fills (rolls) 
in Mid-Song, EVERY TIME!


Working drummers do essentially 
two things onstage, with the band. We
play BEATS and ROLLS! Even our SOLOS' 
are made up of BEATS and ROLLS!

The drummer who dies with the most 
BEATS and ROLLS . . . WINS!

WHAT IS A FILL?

A 'fill' is a very short ROLL the 
drummer may play on the snare drum,
tom toms or other accessories, to 'FILL' 
the dead spots in a song. Usually, we may 
play a 'fill' when the vocalist or 
singer takes a breath between the 
verses of a song.

Sometimes we play 'fills' to add 
dynamics as the band goes into the
more exciting parts of a song, like 
the bridge, chorus or instrumental
ride.


Playing Perfect Fills:
ALL MYSTERIES SOLVED!


In this lesson, I want to help 
those of you who may be having 
trouble with fills and ROLLS. This 
is a very simple lesson, but it 
could save years of grief after 
you've learned to adapt it to the 
songs you'll be hearing every day.

AD-LIB FILLS:
Ad-lib fills, are fills we may 
create or invent on our own.

We may do ANYTHING as a fill, 
if our TIMING doesn't get lost in the
shuffle . . . . Our fill could be 
one note or 100 notes, provided we
never lose track of the (bass drum) 
beat.

THIS LESSON WILL TEACH YOU TO CONNECT
WITH AD-LIB FILLS IN MID-SONG,
EVERY TIME! NO MISTAKES! EVER!

In a nutshell . . . 
IT IS ALL IN THE WAY WE USE THE BASS 
DRUM TO 'MARK-TIME' AS WE MOVE FROM 
A BEAT, TO A FILL, THEN BACK TO THE
BEAT.


Simply learn to maintain a steady 
bass drum to mark-time while playing
every fill! Once this habit has been 
established, SOLID TIMING and thundering, 

explosive fills will be the end result.

TO BE MORE SPECIFIC:
As we play most beat patterns in 
4/4, the bass is 'natural' when
played as half-notes on the counts 
of 1 & 3.

If we maintain the bass at a 
constant (half-note) tempo . . . and
remember to return to the beat pattern 
on a bass note (any bass drum
note) . . . it will always work out.

IN A NUTSHELL . . .

Play a Basic Rock beat with the 
bass on 1 & 3. That's the beat you
learned in the 'Drummers Aptitude 
Test', (Lesson #1, on Lesson Menu #1.)


Drop your fill. Play ANYTHING, on a 
tom or the snare, but keep your
bass constant! Return to the beat 
on the next (or any) bass drum. The 
bass will always be at the same tempo. 
Each bass drum note represents the potential 
resumption of the beat you were playing 
before the fill.

DO THIS RIGHT NOW!

Play the 8TH 'ROCK' BEAT' we 
learned in the 'Aptitude' lesson! 
Just get it going and repeat it 
over and over . . .

NOW, . . . STOP the hands completely, 
but keep the BASS DRUM going.
That 'empty-time' between the bass 
drums . . . IS WHERE YOUR FILL WILL
GO!  go back to the beat ON ANY 
successive BASS DRUM!

You just played a fill . . . but it 
was pretty lame! You didn't DO
ANYTHING around the toms or other 
drums DURING THE EMPTY-TIME.

NOW . . . DO THE SAME THING AGAIN . . . 
but DO SOMETHING during the dead-space, 
this time.

*  Play an IMPROVISED (ad-libbed) FILL . . . 
within the DEAD SPACE . . . then return 
to the beat.

That's all there is to it! Practice 
many types of fill patterns using
this same simple formula. Invent the fills 
up, as you go . . . or listen, then
imitate the drummers you'll be hearing 
on your favorite recordings.

Actually, ad-lib fills are mixed 
assortments of all the standard fills
I'll be teaching you in my 100-lesson course. 

No matter what you decide to play as an 
ad-lib 'fill', it will end up being a 
mixed-bag of different note-value 
rolls and stroke-pattern arrangements . . . 

OR . . . THE VERY SAME rolls and fills I'll 
be showing you in the remainder of
course. In other words, we can mix any 
roll-type with any other roll-type. 
We can do ANYTHING, and it will ALWAYS 
end up being SOMETHING, as long as we 
remain in-time with the music.

AD-LIB 'FILL' SUGGESTIONS . . .


Mix ANY note-value type (ie; 8thnotes, 
16ths, whatever), with any other note-
value type.  (Mix fast notes with 
slower notes) . . . but keep one
ear into the recorded music and 
return in-time with the recorded
drummer, and the beat of the song.

*  Accent certain notes louder than 
others . . . 
*  Rest or leave out notes randomly 
as you prefer . . . 
*  Move to different parts of the kit, 
while doing all the above.

IT'S A CORNUCOPIA OF IDEAS!

The choices are endless and THERE 
ARE NO MISTAKES, if we maintain our
timing, by . . . MARKING-TIME WITH 
THE BASS DRUM, and RETURN IN-TIME,
WITH THE BEAT OF THE MUSIC.

TO GET THE HANG OF THIS . . . You'll 
eventually want to LEARN ALL THE
STANDARD, CLASSIC FILLS, in 'half-measure' 
segments, as they are taught later in 
my LARGE SERIES OF ONLINE LESSONS,
entitled, 'Rudiments, Rolls and Fills'. 

In the structured lessons, you'll 
learn to play a bass drum note along
with the first note of EACH HALF-MEASURE 
FILL SEGMENT, so that the BASS DRUM 
will ALWAYS BE CONSTANT, whether playing 
a BEAT OR A FILL.

It becomes a HABIT after awhile. We'll 
learn ALL THE CLASSIC FILLS, this same 
way in the latter, more advanced lessons.


All the lessons of the HOMESTUDY COURSE 
are set up with this (bass drum) trick 
in mind. As you learn to play the standard 
fills (ie; single strokes, double strokes, 
8th triplets and paradiddles) the way they
are shown in the lessons . . . your ability 
with ad-lib fills will quickly improve even 
more. It will become NATURAL HABIT, to 
mark-time with the bass drum, no matter 
what sort of improvised or ad-lib fill
you may play.

Also, later in the homestudy course, 
you will learn to extend all of
the standard fills and a few others, 
to ANY LENGTH you choose. These
standard fills may be varied around 
the kit, to any of the toms and
stretched to any lengths, using this 
same 'half-measure' formula,
marking-time with half notes on 
the bass drum.

You'll easily and quickly discover 
that your fills may be ANY LENGTH,
(ie; half-measure, whole-measure, 
one-and-one-half measures, two-measures 
or more.) It is the drummers choice and 
it is easy to accomplish, once we 'feel' 
the bass drum part and the half-measure
segments of each fill, first. After that, 
it's a simple matter of doubling, tripling 
or quadrupling and mixing the half-measure
patterns.



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|_________THOUGHTS & GRINS__________|

    A drummer and a bass player were walking in the middle 
  of a forest. Suddenly they saw a hungry tiger barely 10 
  feet away. The drummer calmly opened his knapsack and took 
  out his jogging shoes. The bass player said " Hey you 
  dummy . . .  Do you think you can outrun a hungry tiger?" 
  The drummer replied . . .  " I only have to outrun you"

END OF TEMPO DISPATCH #24  December 5, 1998